DIGITAL TEMPLE Magazine

DOMESTICATION OF A PYRAMID // MAGDALENA JETELOVÀ.

The Templar — Thu, 04 Apr 2013 10:03:02 +0000

Other pyramids have been constructed at various locations in Europe, but only in Vienna is the pyramid physically accessible both from the inside and outside. Art Pieces by Magdalena Jetelovà.

DIGITAL TEMPLE ON PAPER

The Templar — Thu, 28 Mar 2013 13:48:09 +0000

Next Time DIGITAL TEMPLE
will be printed on paper.

- The Issue XIII –
will be released soon.

This is not a preview,
this is a teaser.

Michael Schlegel // MASSIV III

The Templar — Tue, 29 Jan 2013 13:26:11 +0000

Michael Schlegel and his MASSIV Photographies N III.

Thanks for the view // REVOLUTION.

The Templar — Mon, 28 Jan 2013 15:26:10 +0000

For some days now, every morning we can see from our windows, a bit of inspiration, a piece of art from a street artist from our city, Strasbourg.

The reference is perfect for our mood.

Thanks Dan 23.

Tumblr // DIGITAL TEMPLE

The Templar — Wed, 12 Dec 2012 15:26:39 +0000

Our activities are at full throttle on tumblr these days. We want to share our visual inspiration so come to share it with us.

DIGITAL TEMPLE Magazine on Tumblr.

aeaeaeae // Noise Layers.

The Templar — Thu, 06 Dec 2012 15:38:43 +0000

aeaeaeae - The images are pictures of the same object at various angles. The object is a saddle shaped piece of geometry subjected to various deforming noise filters.

Kidosaki Architects Studio // House in Asamayama.

The Templar — Wed, 05 Dec 2012 09:16:21 +0000

Kidosaki Architects Studio. Photographs made by 45g Photography © Junji Kojima.

Doug Bloodworth // Oil Paintings.

The Templar — Mon, 26 Nov 2012 18:20:35 +0000

Doug Bloodworth’s artistic perspective is influenced by a childhood affection for American western classics and the quintessential youth of the American dream.

Carlo Van de Roer // The Portrait Machine.

The Templar — Wed, 21 Nov 2012 10:38:35 +0000

This project explores the idea that a camera can reveal an otherwise unseen insight into a subject’s character and their relationship with the photographer and viewer. These portraits are made with a Polaroid aura camera developed in the 1970s by an American scientist in an attempt to record what a psychic might see.

The subject is connected to the camera by sensors measuring electromagnetic biofeedback. It translates these readings into information about the subject and how they are seen by the photographer and others — suggesting the camera bypasses the control of the photographer and subject in making the portrait. The camera generates a printed description of these views of the subject which are also depicted aesthetically in the Polaroid. This printout is presented to the viewer along with each photograph in a similar manner to a caption.

The aura camera has undertones of pseudo-scientific authority and attributes associated with a less mediated type of photography. It’s a modified land camera that uses instant film and has only one button, allowing the photographer little control over the mechanisms mediating the portrait making process.

Aura photography is a relatively recent offshoot of spirit photography. Unlike attempts to record images of ghosts, aura photography evolved from a type of spirit photography – popular around the time diagnostic imaging devices like the x-ray emerged — which sought to objectively measure and document unseen aspects of the human body.

I am photographing people who are familiar to me, or that I have expectations of — including family, friends and people whose personalities are in the public sphere.

- Carlo Van de Roer

Jack Crossing // Graphic Design.

The Templar — Tue, 20 Nov 2012 10:35:22 +0000

The Graphic Designer Jack Crossing and his works.